Still from My Neighbor Totoro IU Cinema Founding Director Emeritus Jon Vickers discusses the pivotal role of nature in a Miyazaki classic and an inspiring documentary about second chances. While most people understand the environmental aspects of individual trees and forests — trees are inherently good — many do not know the links to socio-economics,… Read more »
Entries by Jon Vickers
Sol Folium
Courtesy of Caleb Allison Ahead of our screenings of Perfect Days, IU Cinema’s founding director emeritus Jon Vickers spoke with student filmmaker Caleb Allison about Sol Folium, his new short that the Cinema will be playing before each showing of the Wim Wenders film. This article was originally published by CanopyBloomington. In a town like… Read more »
Memories of Underdevelopment; or How I Learned to Stop Worrying and Love the Revolution
Guest post by Jon Vickers. “One of the signs of underdevelopment is an inability to establish links, to gather experience and grow,” states Sergio (Sergio Corrieri), Tomás Gutiérrez Alea’s bourgeois intellectual protagonist who idly roams the streets of Havana on his existential odyssey through much of Memories of Underdevelopment (1968). Set in 1961 between the… Read more »
Maborosi and the Birth of a Master of Empathy
Guest post by Jon Vickers. My love affair with the sublime films of Japanese master filmmaker Koreeda Hirokazu (Hirokazu Kore-eda) began more than 25 years ago on March 7, 1997, in the small town of Three Oaks, Michigan. Maborosi had its world premiere at the Venice Film Festival in September of 1995 (where it was… Read more »
Day (Dream) for Night
Guest post by Jon Vickers, IU Cinema Founding Director Emeritus. It is hard not to conjure thoughts of Francois Truffaut’s 1973 film Day for Night when first thinking about Olivier Assayas’ Irma Vep from 1996. On the most obvious level, Assayas’ “circus-of-a-film-production” is led by aging director René Vidal, played expertly by Truffaut’s longtime alter-ego,… Read more »
Those Bells
I was recently visited by a good friend named Max Westler, who drove down from Northern Indiana. Truth be told, he did not come to see me, but traveled to Bloomington to spend two days in IU Cinema, with the hook being Béla Tarr’s Sátántangó. Max is a brilliant published poet (retired creative writing professor… Read more »