The lonely poetry of Paris, Texas Chris Forrester rhapsodizes about the overwhelming emotionality and breathtaking imagery of Wenders’s 1984 masterpiece. When Wim Wenders — then known for his contributions to the New German Cinema, in particular a string of road films through which he formed a close collaborative relationship with legendary cinematographer Robby Müller —… Read more »
Entries by Chris Forrester
A Perfect Machine: James Cameron’s Action Sequels
Arnold Schwarzenegger in Terminator II: Judgment Day Chris Forrester articulates how James Cameron films like Terminator II and Aliens work so well as sequels with established iconography and higher stakes than their predecessors. James Cameron has conquered quite a few things through his nearly 40 years in Hollywood — among them the blockbuster, the epic… Read more »
The Simple Pleasures of Oddity
A stranger comes knocking in Oddity (Mc Carthy, 2024) Chris Forrester considers how 2024’s eerie and unexpected Oddity fits within the landscape of recent horror films. Nearly every year in recent memory has yielded one or two horror movies subjected to a repetitive, now-familiar cycle of discourse: fanatic pre-release hype, a marketing campaign that plays… Read more »
In Praise of Nicole Kidman
The Others (Amenábar, 2001) Chris Forrester describes the magic of Nicole Kidman’s performances, particularly her star-defining string of films from 1995 to 2005. One of the more remarkable decades in any recent performer’s career is Nicole Kidman’s turn-of-the-millennium output, a thrillingly versatile stretch of outings that took her from newly minted breakout star on the… Read more »
“One Day You’ll Wake Up and You’ll Discover It Never Happened:” Collateral and Michael Mann’s Digital Existentialism
A cab barrels through the amber Los Angeles night In honor of its 20th anniversary this month, Chris Forrester dives into the Michael Mann thriller Collateral, the first film to really foreground the digital style that has defined the filmmaker’s career since. While for the majority of filmgoers, the transition from film to digital might… Read more »
Howard Hawks, Rio Bravo, and the Hangout Film
Still from Rio Bravo Chris Forrester details how Rio Bravo exemplifies the term of “the hangout film” with its affable characters, softened masculinity, atypical genre tropes, and more. The films of Howard Hawks offer a sampling of many of the cinema’s great genre pleasures — film noirs, musicals, westerns, dramas, comedies, romances, war films. Were… Read more »