Every month, Establishing Shot brings you a selection of films from our group of regular bloggers. Even though these films aren’t currently being screened at the IU Cinema, this series reflects the varied programming that can be found at the Cinema and demonstrates the eclectic tastes of the bloggers. Each contributor has picked one film that they… Read more »
Twinkle Lights and Gun Fights: Watching The Godfather on Christmas
Marlon Brando in The Godfather IU Cinema Director Dr. Alicia Kozma shares her history with the Godfather trilogy and her recommendations for when to watch the films. As long as I can remember, the Godfather films have been a part of my life. Growing up in an Italian American family in New York, the films… Read more »
Monthly Movie Round-Up: November 2024
Every month, Establishing Shot brings you a selection of films from our group of regular bloggers. Even though these films aren’t currently being screened at the IU Cinema, this series reflects the varied programming that can be found at the Cinema and demonstrates the eclectic tastes of the bloggers. Each contributor has picked one film that they… Read more »
Q+ presents: The Handmaiden (2016)
In Japan-ruled 1930s Korea, a new handmaiden is hired to attend to a Japanese heiress who lives a secluded life with her domineering uncle. But the handmaiden harbors a secret that threatens her lady’s fortune and freedom. As the handmaiden puts her plan into action, unexpected connections throw a carefully calibrated scheme into a labyrinth… Read more »
Catechism-ically Flawed
Still from Damned If You Don’t Underground Film Series curator Justin Bonthuys gives a brief introduction to the three shorts by Su Friedrich and Paula Gauthier that comprise the upcoming program Catechism-ically Flawed. Catechism-ically Flawed explores two different approaches to how cinema can be used to explore and express queer experiences and identities. Su Friedrich… Read more »
Paranoia Alert: The Dreadful Confusion of Inherent Vice
Joaquin Phoenix in Inherent Vice Ben van Welzen delves into the formal complexity and intentional haziness of Paul Thomas Anderson’s adaptation of Thomas Pynchon’s sprawling novel. “We tell ourselves stories to live,” Joan Didion writes in her sprawling essay recounting the tumultuous times of the 1960s, “The White Album.” According to Didion, we collectively impose… Read more »