Every month, Establishing Shot brings you a selection of films from our group of regular bloggers. Even though these films aren’t currently being screened at the IU Cinema, this series reflects the varied programming that can be found at the Cinema and demonstrates the eclectic tastes of the bloggers. Each contributor has picked one film that they… Read more »
Month: October 2022
The Foolishness of Love in Midnight (1939)
In the decadent French chateau of a frisky aristocrat and his wandering wife, a showgirl pretending to be a baroness and the cab driver she fell for are arguing about the practicality of a marriage surviving on 40 francs a day. “I know we’re right for each other,” he coos. “I know it deep down… Read more »
Shaun of the Dead: Why Have Two Genres When You Can Have Them All?
Guest post by Alex Brannan. Horror and comedy – the salty and sweet of genre categories. I feel much has already been made of the horror-comedy as a seemingly incompatible hybrid that nevertheless persists. Not only does it persist, it has lived a life nearly as long as the cinema itself. The playful supernatural fantasies… Read more »
What do we see? When we see The Descent
When film reviewers wrote about The Descent (Neil Marshall, 2005) during its U.S. theatrical release in August 2006, many displayed an interesting contradiction. They often praised the film for departing from hypersexualized depictions of its women protagonists, but then used sexualized language in their reviews to describe the actors. In some instances, reviewers interpreted the… Read more »
On Pasolini and Pasolini
Guest post by Chris Forrester. Ask any cinephile what unmade film haunts them the most and they’ll certainly have an answer. Maybe it’s Jodorowsky’s much-obsessed-over Dune adaptation, maybe it’s Kubrick’s Napoleon – trumped by the financial failure of Sergei Bondarchuk’s Waterloo – or his version of A.I., eventually directed by Steven Spielberg in 2001 (of… Read more »
Where High School Never Ends
Before viewing Halina Reijn’s Bodies, Bodies, Bodies, I purposefully tried to read as little as possible about the film so I could watch it with no spoilers as horror reviews often give a few away. In the broader spectrum of horror, I wasn’t sure where the movie would land; some early indications indicated more comedic… Read more »