Full transparency: all Blu-rays reviewed were provided by Kino Lorber, Arrow Video, Vinegar Syndrome, Fun City Editions, and Imprint Films. Believe it or not, I’ve been doing these reviews for over a year at this point and it’s been lovely watching how much it’s all grown. This originally started with me desperately wanting to review… Read more »
Month: November 2021
Monthly Movie Round-Up: November
Every month, A Place for Film brings you a selection of films from our group of regular bloggers. Even though these films aren’t currently being screened at the IU Cinema, this series reflects the varied programming that can be found at the Cinema and demonstrates the eclectic tastes of the bloggers. Each contributor has picked one film… Read more »
Machine-Made Handcraft in Jodie Mack’s Point de Gaze (2012)
Lace flits across the screen. Not in a single shot lingering over this delicate textile, but several still shots, one after another, a discontinuous display of the variety of lace patterns that might exist. We start gently with white laces, then frenetically — aggressively — move onto flickering colors. Lace-making is a women’s handcraft, and… Read more »
Mythic Texts: John Carpenter and the Anxiety of Influence
Many of us who saw David Gordon Green’s Halloween Kills (2021) last month were inevitably disappointed with it, perhaps unsurprisingly. Part of what was frustrating about the new film was Green’s attempt to position it in relation to John Carpenter’s 1978 original, with constant references and “call-backs” being made throughout to the original trauma of… Read more »
The Greatness of Gene Tierney in Leave Her to Heaven
Leave Her to Heaven (1945) is one of the odder mainstream American films I’ve seen from the 1940s. Its plot involves the archetypes and interest in the dark side of humanity that are trademarks of film noir, but boasts colorful cinematography that feels like it belongs in a 1950s melodrama. The pacing isn’t even, but… Read more »
Pour Djamila (For Djamila)
Guest post by Joan Hawkins, Professor of Cinema and Media Studies at Indiana University. Based on a book written by Simone de Beauvoir, Pour Djamila recounts the story of Djamila Boupacha, an Algerian woman and National Liberation Front Activist who was arrested by the French in 1960, accused of terrorism and tortured. Under torture, she… Read more »