Every month, A Place for Film brings you a selection of films from our group of regular bloggers. Even though these films aren’t currently being screened at the IU Cinema, this series reflects the varied programming that can be found at the Cinema and demonstrates the eclectic tastes of the bloggers. Each contributor has picked one film… Read more »
Month: April 2021
A Portrait of the Artist at Work: Unknown Chaplin
Though it’s perhaps difficult for us to fully conceive today, Charles Chaplin (1889-1977) likely remains the most widely recognized great artist in the history of movies. Chaplin’s startling degree of success in his own time, combined with the important fact that he worked in the “universal” language of silent cinema, made him a truly international… Read more »
Remembering Monte Hellman
At the risk of sounding too negative, I’d say that the majority of filmmakers, even some very good ones, are ultimately conventional in that they rely on established forms of film language to communicate with us. Throughout the history of cinema, it has only been a much smaller group of artists who have sought to… Read more »
A Volunteer Ambassador’s Journey to IU Cinema
IU Cinema celebrates IU Day 2021 by highlighting the transformative experiences of its patrons over the years, including the Volunteer Ambassadors who have helped make IU Cinema one of the best university cinemas in the country. Below is volunteer Kathie Durkel’s essay on the enriching encounters she has had since discovering the Cinema in 2015…. Read more »
Amarcord and the Semi-Autobiographical Childhood Memory Piece
Federico Fellini is famous for inventing the “self-portrait” genre of filmmaking. His 1961 masterpiece 8 ½, which is about a director modeled on Fellini himself, led other filmmakers to make films about themselves. Examples include but are not limited to Francois Truffaut’s Day for Night (1973), Bob Fosse’s All That Jazz (1979), and Pedro Almodóvar’s… Read more »
Harold Lloyd’s Love for Love
When I think of Harold Lloyd, that dazzling innovator of silent comedy, I don’t think of the iconic image of him dangling on a clock, high above a bustling city street. I don’t think of him racing a horse-drawn wagon until its wheels pop off or clinging to a girder as its moves through the… Read more »