With a filmography spanning over forty years, Senegal’s Ousmane Sembène (1923-2007) earned international renown as a revolutionary artist and as the “Father of African Cinema” for his indigenized filmmaking practice. Sembène eschewed Western languages and narrative style for a new cinematic aesthetic drawing from African storytelling traditions, performed in African languages (Wolof, Diola, Bambara), and expressly produced for African audiences. Sembène has been heard to say: “Africa is my ‘audience’ while the West and the ‘rest’ are only targeted as ‘markets.’” Fifty years on from his first feature production, the Black Film Center/Archive and IU Cinema celebrate his legacy with a series featuring a new documentary and digital restorations of two of his earliest films.
In addition to the October 19 screenings of La Noire De … (Black Girl) and Borom Sarret (The Wanderer), the new biographical documentary Sembène! will be shown at IU Cinema on Tuesday, October 20th, with filmmakers Samba Gadjigo and Jason Silverman scheduled to attend. This will follow a roundtable discussion with BFC/A director Michael T. Martin.
Reviewing its 2015 premiere at Sundance, Bilge Ebiri wrote that, of all the festival’s entries this year, “no film demonstrated the power of cinema more resonantly than Sembène!” The documentary chronicles Ousmane Sembène’s fascinating life as a militant artist, self-taught novelist, and “Father of African Cinema.” Using rare archival footage, animation, and the firsthand experience of Sembène expert and colleague Samba Gadjigo, the filmmakers present an honest and complex portrait of a man whose significance to modern African culture cannot be overstated.
Sembène! emerges also as Gadjigo’s story, as he recounts the ways that Sembène’s work transformed his life. The Mount Holyoke professor was born in Senegal, where his life was changed by Sembène’s novel, God’s Bits of Wood. After earning his PhD from the University of Illinois, Gadjigo returned to Africa to connect with the artist who had such a formative impact on his life. “We worked together for 17 years,” Gadjigo told Indiewire. “and it was an honor to help him bring his stories into the world. On the day of his death, I promised that I would not let his stories be forgotten. That’s why we made this film.”
Jason Silverman, who is the director of the cinemathèque at the Center of Contemporary Arts in Santa Fe, New Mexico, reached out to Samba Gadjigo as part of an effort to include more African film in the center’s programming. “I knew Jason was so knowledgeable about the cinema world,” Gadjigo told BOMB Magazine, “so I told him I had all this [Sembène] material and wanted him to help me organize it. A film really wasn’t the idea so much as building a website to share all this material with the world. He looked at me and said, ‘No. We should make a movie!’”
In conjunction with the IU Cinema and BFC/A screening series, Sembène: Father of African Cinema, Black Film Center/Archive director Michael T. Martin will moderate a roundtable discussion of Sembène’s work and legacy. This discussion will follow from the previous evening’s screenings of the World Cinema Project‘s digital restorations of La Noire De … (Black Girl) and Borom Sarret (The Wanderer).
Roundtable discussion participants include:
Akin Adesokan, Associate Professor of Comparative Literature
Samba Gadjigo, Professor of French, Mount Holyoke College, and Co-Director of Sembène! (2015)
Eileen Julien, Director, Institute for Advanced Study, and Professor of French and Comparative Literature
Michael T. Martin, Director, Black Film Center/Archive, and Professor of Cinema and Media Studies, The Media School
Jason Silverman, Cinematheque Director, Center for Contemporary Arts, Santa Fe, and Co-Director of Sembène! (2015)
The event is free, and begins at 3:30 PM, before the evening’s screening of Sembène! This series is sponsored by the Black Film Center/Archive, The Media School, the Cinema and Media Studies program, and the departments of African Studies, French and Italian, and Comparative Literature.
~Jezy Gray
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