Guest post by David Stringer, Associate Professor and Director of Undergraduate Studies at the Department of Second Language Studies. “I am water, only because you are the ocean.” — from “Kissing the Opelua” by Donovan Kūhiō Colleps Over the last decade or so, there has been an ocean swell of indigenous filmmaking highlighting… Read more »
Full transparency: all Blu-rays reviewed were provided by Kino Lorber and Criterion. Summer is here and that means things are gonna wind down around here at the blog for the month of July, but I had one more round-up of Blu-rays to bring the people while we try and get some rest before the pandemonium… Read more »
In the classic teen melodrama Splendor in the Grass (Elia Kazan, 1961), the central conflict arises because Wilma (Natalie Wood) is torn between her desire and social mores. She knows what she wants — she wants sex with Bud (Warren Beatty). But society, represented most strongly in the film by the voice of Wilma’s mother,… Read more »
Julie Dash’s films frequently meditate on history. Daughters of the Dust (1991) brings us into the unique culture of a Gullah family on the precipice of change in a new century. Illusions (1982) imagines if a Black woman passing as a white woman had become a film executive in the Classical Hollywood era. The Rosa… Read more »
In 1975, Ted Ngoy was working as a gas station attendant when he suddenly noticed the delicious smells coming from a nearby donut shop. Curious, he approached the counter and ordered his very first donut, the glorious pastry instantly reminding him of nom kong, a similar treat from his home country of Cambodia. Just four… Read more »
Guest post by Ellen Starr Lyon. I am chagrined that before now, Audrey Flack has not been on my radar. I am aware of those who worked in her circles, the other realists like Robert Estes and Philip Pearlstein and the abstract expressionists: Pollock, Kline, Mitchell, and Frankenthaler. The film Queen of Hearts outlines a… Read more »
