Four years ago, the whole world seemed to hold their breath when a group of boys and their soccer coach became trapped in a flooded cave in Thailand. It was an unimaginable, terrifying event to watch unfold, with no guarantee of a happy ending. In their new documentary The Rescue, which was recently placed on… Read more »
If you’ve heard anything about Titane since its release last year, you’ve probably heard it described as the movie where a woman has sex with a car. But Julia Ducournau’s Palme d’Or winner is infinitely more complex than that. It is also the kind of film that the less you know about it, the better… Read more »
Several factors contributed to the box office underperformance of the Karyn Kusama-directed film Jennifer’s Body in 2009 — chief among them was the marketing, which relied heavily on selling the movie as a slasher with Megan Fox as the eye candy for a primarily male audience. Although the focal point of the film is the… Read more »
Guest post by Dr. Alicia Kozma, Director of IU Cinema. In 1956, film scholar John Twomey surveyed his contemporary film exhibition landscape and noticed a change was taking place: small, independently run theaters across the country were turning away from the usual mainstream film fare, focusing instead on what he termed “films of quality.”[1]… Read more »
Lace flits across the screen. Not in a single shot lingering over this delicate textile, but several still shots, one after another, a discontinuous display of the variety of lace patterns that might exist. We start gently with white laces, then frenetically — aggressively — move onto flickering colors. Lace-making is a women’s handcraft, and… Read more »
Guest post by Joan Hawkins, Professor of Cinema and Media Studies at Indiana University. Based on a book written by Simone de Beauvoir, Pour Djamila recounts the story of Djamila Boupacha, an Algerian woman and National Liberation Front Activist who was arrested by the French in 1960, accused of terrorism and tortured. Under torture, she… Read more »
