Every month, A Place for Film will bring you a selection of films from our group of regular bloggers. Even though these films aren’t currently being screened at the IU Cinema, this series will reflect the varied programming that can be found at the Cinema, as well as demonstrate the eclectic tastes of the bloggers…. Read more »
For the next few weeks, the IU Cinema will be dark as we spend time with our loved ones for the holidays. It’s a time for us all to take a breather as we reflect on the past year and look forward to the new one. While the Cinema’s spring schedule has not yet been… Read more »
Before Disney’s Fantasia (Joe Grant & Dick Huemer, 1940) introduced the idea of visual music to mass audiences, experimental filmmakers had been playing with the idea for decades. As early as 1909, Italian futurists were painting abstract forms onto film stock, attempting to translate the purity of classical compositions into moving image media.
Twin brothers Stephen and Timothy Quay are known for their entrancing, and sometimes unsettling, stop motion worlds. Their films bring us into hidden spaces, filled with discarded objects and compulsive desire. In addition to their unique puppet design and elegantly articulated movement, the Quays also invest great care in their cinematography. They are unafraid to… Read more »
Wallace and Gromit are two of the most popular characters to come of out of British animation studio, Aardman Animations. Originally conceived by Nick Park as his graduation film for the National Film and Television School, cheese-loving Wallace and his clever hound Gromit have gone on to star in four shorts and one feature-length film.
Animation has a rich history of ingenuity. Since almost the beginning of cinema, filmmakers have experimented with how and what to animate, from slices of wax to drawing directly on strips of film to the more traditional forms that we see in commercial animation. Below are four of my favorite experimental animation techniques: paint on… Read more »