During “Funkology,” a conversation with Dr. Scott Brown at the IU Cinema, funk legend Bootsy Collins said he wanted to see less generation gap and more “generation flow.” Collins was eager to see more mutually beneficial conversations between people of different ages, as opposed to screaming matches about who is more ungrateful or more responsible… Read more »
At the beginning of the making of the documentary for Isao Takahata’s final film, The Tale of Princess Kaguya, someone behind the camera (presumably one of the two directors of the documentary) asks Takahata “What kind of movie are you trying to make with Princess Kaguya?” Takahata sits fidgeting on a couch, hand combing through… Read more »
Every month, A Place for Film will bring you a selection of films from our group of regular bloggers. Even though these films aren’t currently being screened at the IU Cinema, this series will reflect the varied programming that can be found at the Cinema, as well as demonstrate the eclectic tastes of the bloggers…. Read more »
For the next few weeks, the IU Cinema will be dark as we spend time with our loved ones for the holidays. It’s a time for us all to take a breather as we reflect on the past year and look forward to the new one. While the Cinema’s spring schedule has not yet been… Read more »
Before Disney’s Fantasia (Joe Grant & Dick Huemer, 1940) introduced the idea of visual music to mass audiences, experimental filmmakers had been playing with the idea for decades. As early as 1909, Italian futurists were painting abstract forms onto film stock, attempting to translate the purity of classical compositions into moving image media.
Twin brothers Stephen and Timothy Quay are known for their entrancing, and sometimes unsettling, stop motion worlds. Their films bring us into hidden spaces, filled with discarded objects and compulsive desire. In addition to their unique puppet design and elegantly articulated movement, the Quays also invest great care in their cinematography. They are unafraid to… Read more »