Last month I was in Indianapolis for a conference, and I had the opportunity to join a tour at the Eiteljorg Museum of American Indians and Western Art. Now, I’ve been to the Eiteljorg in the past, and enjoyed my time there; but this particular visit was my favorite.
When it comes to romantic comedy, classic Hollywood has everybody beat. If you haven’t seen a rom-com from the 1930s, 1940s, or 1950s, you’re denying yourself one of life’s greatest joys. There are many I could recommend, but for my money, the gold standard may just be George Stevens’s The More the Merrier (1943).
Abbas Kiarostami was one of cinema’s quietest adventurers. He asked hard questions and answered them effortlessly. Can you make a film that expresses the innocence and fidelity of childhood? Yes, just look at Where is the Friend’s House. Can you make a meta documentary that tells a true story in a way that cannot seem real?… Read more »
Man with a Movie Camera (1929) is Dziga Vertov’s most well-known film. Film schools teach it as a classic example of montage, the city film, and early documentary. It gets screened by repertory cinemas and can easily be located on DVD or online. However, Man with a Movie Camera did not always enjoy top billing… Read more »
Every month A Place for Film will bring you a selection of films from our group of regular bloggers. Even though these films aren’t currently being screened at the IU Cinema, this series will reflect the varied programming that can be found at the Cinema, as well as demonstrate the eclectic tastes of the bloggers…. Read more »
Guest post by Brittany D. Friesner, Associate Director of Indiana University Cinema. On Tuesday, March 27, 2018, IU Cinema will commemorate the fifth annual National Evening of Science on Screen® with a 7:00 p.m. screening of the new documentary Bombshell: The Hedy Lamarr Story. IU Cinema joins 28 independent theaters in 25 states as part… Read more »