Radium Girls (Lydia Dean Pilcher and Ginny Mohler, 2018) takes its inspiration from the infuriating history of watch-dial painters of the 1910s-1930s who were poisoned and then abandoned by the radium industry. Discovered in 1898 by the Curies, radium was all the rage in the early decades of the 20th century. Thought to be a… Read more »
Entries by Laura Ivins
We find it fascinating when a star transforms themselves for a role. Rebecca Romijn enduring hours of prosthetics for her role as Mystique… Jared Leto losing 30 lbs for Dallas Buyer’s Club… Christian Bale losing an even more extreme 60 lbs for The Machinist… Charlize Theron gaining 30 lbs and donning latex make-up to add… Read more »
The Brothers Quay’s first narrative feature builds upon many of the themes found in their animated shorts. Within Institute Benjamenta, or this dream people call human life (1995), the Quays explore expressive spaces, play with sonic and visual textures, and search for the poetic within banal movement.
Jon Jost has directed dozens of films over an approximately 50-year career. His films span documentary, narrative, experimental, and personal essay, often existing in the spaces between genres, and he has shot a range of formats. Jost is known for his commitment to true independence, choosing to work small and, along with that, focus his… Read more »
Within horror criticism, much has been made of the relationship between female monstrosity and the girl monster’s emerging sexuality. Going back to feminist film scholar Barbara Creed, the girl monster’s transformation has been linked with menstruation and forbidden desire. Films themselves have taken up these themes, including the films I look at in my video.
Sergei Eisenstein’s theories of montage are well known but often oversimplified. In this video, I offer my interpretation of Eisenstein’s film theory, drawing from his 1928 film October: Ten Days that Shook the World to illustrate his ideas about montage. Within Eisenstein’s writings, he repeatedly returns to the importance of conflicting lines of form and movement… Read more »